Museum Making: Thinking about Exhibition Design
DOI:
https://doi.org/10.30763/Intervencion.2014.10.127Keywords:
exhibition design, narrative environments, museum studiesAbstract
Museum Making: Narratives, Architectures, Exhibitions, published by Routledge in February 2012, is an important contribution to the increasingly growing Museum Meanings series. The editors of this volume, Suzanne MacLeod —scholar from the University of Leicester—, Laura Hourston Hanks, and Jonathan Hale —of the University of Nottingham, United Kingdom— present both their research interests as well as the richness and diversity of the museum studies as an interdisciplinary academic field. The central theme: the notion of narrative environments, serves to address museological experiences which integrate objects, spaces, stories, and people as part of a process of storytelling that emphasizes the nature, the potential, and the connection that museums have with human perception, imagination, and memory, topics that undergo critical review in this contribution.
Downloads
References
Black, Graham, (2005) The Engaging Museum: Developing Museums for Visitor Involvement, Londres, Routledge.
Dierking, Lynn D., (1992) “Contemporary Theories of Learning”, en Gail Durbin (ed.), Developing Museum Exhibitions for Lifelong Learning,
Londres, The Stationery Office, 25-29.
Forero Parra, Michael Andrés, (2011) “Exchanges: City, Art, and Architecture”, tesis de maestría en Art Museum and Gallery Studies, Leicester, UL, documento electrónico disponible en [http://www.banrepcultural.org/no de/110306], consultado en junio del 2014.
Greenberg, Reesa, Bruce W. Ferguson y Sandy Nairne (eds.), (1996) Thinking About Exhibitions, Londres, Routledge.
Hooper-Greenhill, Eilean (ed.), (1995) "Museum, Media, Message", Londres, Routledge.
(1997) "Cultural Diversity: Developing Museum Audiences in Britain", Londres, Leicester University Press.
Kavanagh, Gaynor, (1991) "Museum Languages: Objects and Texts", Londres, Leicester University Press.
Klonk, Charlotte, (2009) "Spaces of Experience: Art Gallery Interiors from 1800 to 2000", New Haver, Yale University Press.
Lampugnani, Vittorio y Angeli Sachs (eds.), (1999) "Museums for a New Millennium: Concepts, Projects, Buildings", Múnich, Prestel.
Lang, Caroline, John Reeve y Vicky Woollard (eds.), (2006) "The Responsive Museum", Hampshire, Ashgate.
Lord, Barry y Gail Dexter Lord, (2001) "The Manual of Museum Exhibitions", Oxford, AltaMira Press.
Lorente, Jesús Pedro (dir.) y David Almazán (coord.), (2003) "Museología crítica y arte contemporáneo", Zaragoza, Prensas Universitarias de Zaragoza.
Macdonald, Sharon, (2006) "A Companion to Museum Studies", Oxford, Wiley-Blackwell.
MacLeod, Suzanne (ed.), (2005) "Reshaping Museum Space: Architecture,
Design, Exhibitions", Londres, Routledge.
(2013) "Museum Architecture: A New Biography", Londres, Routledge.
MacLeod, Suzanne, Laura Hourston Hanks y Jonathan Hale (eds.), (2012a) "Museum Making: Narratives, Architectures, Exhibitions", Londres, Routledge.
(2012b) “Introduction: Museum Making. The Place of Narrative”, en S. MacLeod, L. Hourston Hanks y J. Hale, (2012a),
XIX-XXIII.
Marincola, Paula, (2006) "What Makes a Great Exhibition?", Filadelfia, Philadelphia Exhibitions Initiative/Philadelphia Center for Arts and
Heritage.
Marotta, Antonello, (2010) "Contemporary Museums", Milán,
Skira.
Marstine, Janet (ed.), (2006) "New Museum Theory and Practice. An Introduction", Oxford, Blackwell.
O’Doherty, Brian, (1999) "Inside the White Cube: The Ideology
of the Gallery Space", Berkeley, University of California Press.
Serota, Nicholas, (2000) "Experience or Interpretation: The
Dilemma of Museums of Modern Art", Londres, Thames & Hudson.
Serrell, Beverly, (1996) Exhibit Labels: An Interpretive Approach, Oxford, AltaMira Press.
Additional Files
Published
How to Cite
Issue
Section
License
Copyright (c) 2014 Intervención, Revista Internacional de Conservación, Restauración y Museología
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Atribución-NoComercial 4.0 Internacional
https://creativecommons.org/licenses/by-nc/4.0/deed.es
Usted es libre de:
- Compartir — copiar y redistribuir el material en cualquier medio o formato
- Adaptar — remezclar, transformar y construir a partir del material
Bajo los siguientes términos:
-
Atribución — Usted debe dar crédito de manera adecuada, brindar un enlace a la licencia, e indicar si se han realizado cambios. Puede hacerlo en cualquier forma razonable, pero no de forma tal que sugiera que usted o su uso tienen el apoyo de la licenciante.
-
No Comercial — Usted no puede hacer uso del material con propósitos comerciales.