Studies on Conservation, Restauration, and Museology, vol. V

Authors

  • María Ximena Agudo Guevara Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), Instituto Nacional de Antropología e Historia (INAH), México http://orcid.org/0000-0003-3459-4778
  • María Rosa Ruíz Cervera Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), Instituto Nacional de Antropología e Historia (INAH), Mexico

DOI:

https://doi.org/10.30763/Intervencion.231.v1n21.10.2020

Abstract

The authors review the 5th volume of Estudios sobre conservación, restauración y museología, which contains fifteen papers whose main topic is cultural heritage. The papers, organized around four subtopics (problems affecting heritage; conservation-restoration boundaries; heritage disciplines and the heritage professional), were the subject of debate at the 10th Academic Forum of the Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), from the 25th to the 28th of July 2017 before the 50th anniversary of the ENCRyM. The review emphasizes the focus on the local-global tensions affecting archeological, urban, and ethnographic heritage; the various disciplinary fields that serve as a basis for heritage professionals; and the experiences in new work contexts, as well as a corresponding educational paradigm based on competences and a different curriculum design.

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Author Biographies

María Ximena Agudo Guevara, Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), Instituto Nacional de Antropología e Historia (INAH), México

She has a degree in Anthropology from the Universidad Central de Venezuela (UCV, Venezuela), with doctoral studies in social sciences (UCV), master of arts from the University of Columbia, and is retired from the Faculty of Humanities and Education (UCV). She is a member of the research team, “Globalization, cultural processes, and sociopolitical transformations” of the PhD in Social Sciences and the Postdoctoral Research Center (UCV). Currently, she teaches a master’s degree in museology at
ENCRyM. She coordinated the inter-institutional team ENCRyM-Centro Nacional de Conservación y Registro del Patrimonio Artístico Mueble (Cencropam-INBAL)-Center “Daniel Rubín de la Borbolla” for the cataloging of the Roberto Montenegro popular art collection. She carries out research on the relationship between popular art, museums, and the public.

María Rosa Ruíz Cervera, Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), Instituto Nacional de Antropología e Historia (INAH), Mexico

She has a bachelor’s degree in history from the Universidad Nacional Autónoma de México (UNAM) and the Instituto Cultural Helénico, and a bachelor’s degree in restoration from ENCRyM. She is currently a member of the teaching staff of ENCRyM, where she teaches various courses on the History of Cultural Heritage, Methodologies, and Documentation for Conservation. She advises different workshops in the field of history, such as the Paper Restoration Laboratory, Metals Restoration Laboratory and the Introductory Restoration Laboratory.

Additional Files

Published

2020-09-21

How to Cite

Agudo Guevara, M. X., & Ruíz Cervera, M. R. (2020). Studies on Conservation, Restauration, and Museology, vol. V. Intervención, 1(21), 349–365. https://doi.org/10.30763/Intervencion.231.v1n21.10.2020

Issue

Vol. 1 No. 21 (2020): JANUARY-JUNE

Section

Book Review

License

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